Krispy Kreme offers free doughnut for those who’ve received their Covid-19 vaccination

Krispy Kreme is making vaccinations extra sweet with a free doughnut a day  for the rest of the year - CNN

This morning Krispy Kreme announced their Sweet Support program, which rewards customers who’ve received the COVID-19 vaccine with a free original glazed doughnut.

As of today, anyone who shows their COVID-19 Vaccination Record Card will receive the doughnut up until the end of 2021. As if the deal could not get any sweeter, the offer is not one-time only, and can be redeemed every single day.

All guests who have received at least one or two of the shots of the Moderna or Pfizer vaccination or one shot of the Johnson and Johnson vaccination qualify as “vaccinated.”

The new program aims to show support those who choose to get vaccinated and for the U.S. as it continues to roll out COVID-19 vaccinations. With that being said, the offer is only available in the United States.

A recent press release revealed that Krispy Kreme also plans to support health care workers and volunteers administering vaccines, delivering them free doughnuts to various vaccination centers throughout the country. For their own employees, the iconic restaurant is offering up to four hours of paid time off to encourage their staff to get vaccinated.

“We all want to get COVID-19 behind us as fast as possible and we want to support everyone doing their part to make the country safe by getting vaccinated as soon as the vaccine is available to them,” Krispy Kreme Chief Marketing Officer Dave Skena said in a statement.

Krispy Kreme also plants to roll out other promotions as the year continues related to COVID-19 safety and joy.

Justice files cease and desist against Justin Bieber stolen cover designs

Electronic duo Justice sent a cease and desist letter to Justin Bieber following the release of his newest record under the same name, according to Rolling Stone.

The duo claims the album cover and subsequent merchandise makes use of their “cross” logo which has been trademarked in both France and the European Union.

Justice’s co-manager Tyler Goldberg in a statement to Rolling Stone said, “Aside from seeing it all over the internet ourselves, we heard from hundreds of people throughout the day — industry people, Justice fans — and the Justice guys received a ton of messages, not only compelled to point out the similarities between the Justice Justin Bieber album, but confused. ‘Is this a Justice collaboration?’”

In the letter, Justice alleges that the use of the logo was intentionally designed to “deceive” and “confuse” customers. The letter also includes an email conversation between a Bieber representative and Justice representative, about how they would go about finding the original designer of Justice’s logo. However, after a meeting was proposed Biebers team ceased contact.

“Not only was Bieber’s team actually aware of Justice’s use of the Mark, they sought to use the same artist to essentially duplicate it for the Album.,” the letter reads.

As of now, Justin Bieber has made no official statement regarding the cease and desist.

Soundcloud rolls out new payout method to help independent artists

SoundCloud Launching "Fan-Powered" Streaming Payouts For 100,000  Independent Artists - Magnetic Magazine

Artists who monetize from SoundCloud will be able to enjoy a brand new fan-powered payout method innovated by Soundcloud themselves beginning in April.

Fan-powered Royalties is the new way SoundCloud plans to payout artists who use their monetization features. They explain it as a more “equitable” and “transparent” way for independent artists to get paid. “The more fans listen on SoundCloud, and listen to your music, the more you get paid,” said the platform.

This is SoundCloud’s newest system designed to pay more artists fairly and create more full-time musicians.

Before this new model, payout was divided up from a giant pool of money that was later paid out based on artists share of total streams. It was a model that as SoundCloud described, “mostly benefits mega stars.”

However, now artists are going to be paid directly based on fans’ actual listening habits. A model meant to benefit independent artists.

On their page they noted two artists, Chevy and Vincent who both saw an outstanding increase in payout after switching to Fan-powered Royalties.

Last year, SoundCloud introduced Repost, a new avenue for artists to spread their music to major streaming platforms, gaining a wider audience. It would seem Fan-powered Royalties are yet another way SoundCloud is trying to innovate their systems in order to better support their massive independent user-base.

Fan-powered Royalties will begin rolling out April 1st, 2021.

The Weeknd plans to boycott all future Grammy’s

The Weeknd 'will no longer submit music to Grammy Awards' after snub - BBC  News

The Weekend is officially boycotting the Grammy’s according to a statement given to The New York Times.

“I will no longer allow my label to submit my music to the Grammys,” said the popstar in regards to the most recent Grammy’s which did not nominate his hit single “Blinding Lights” which broke the record for most weeks spent in the top five on the Hot 100 chart.

The Weeknd has been upset with the lack of transparency of the Grammy’s since the nominations were announced November of last year. Initially tweeting, “The Grammys remain corrupt. You owe me, my fans and the industry transparency…”

The Toronto-born crooner then followed up alleging that he wasn’t even invited to the Grammy’s in a second tweet that read, “Collaboratively planning a performance for weeks to not being invited? In my opinion zero nominations = you’re not invited!”

The artist cites the “secret committees” as his reason for boycotting one of the music industry’s most esteemed awards and joins a plethora of other artists who have all spoken out against the Grammy’s and their lack of black representation.

The last black artist to win album of the year was Herbie Hancock in 2008. However, in total since the inception of the Grammy’s in 1957, only ten black artists have won the award.

With that being said, Recording Academy chief Harvey Mason Jr. said there was no ulterior motives to The Weeknd’s snub. “Y’know, it really just comes down to the voting body that decides. We have eight nomination slots to fill in [the “Big Four” categories: Best Album, Song, Record and New Artist], five in others, and the voters vote for their favorites. It’s really interesting, though,” Mason said to Variety.

However, the voting bodies that choose the nominations are most often what is criticized during the nominations process. Many including the Weeknd allege a lack of transparency between them and the committees that make nominations despite being composed of industry artists, producers and other executives.

“We look at it every year and make tweaks and revisions to the process; we did it this year, last year, we’ll do it next year. And I don’t think this calls it [The Weeknd’s Snub] into question, honestly….. I was in the “core room” this year [which decides the Big Four] and I observed, and the people that were in it are music professionals…,” said Mason.

Regardless, the 63rd annual Grammy awards are set to air on Sunday, March 14 remotely from the Los Angeles Convention Center.

Gap CEO confirms Yeezy Gap is still going forward

Kanye West unveils new YEEZY/Gap collab in most Kanye West way | Campaign US

A recent statement from Gap Inc.’s CEO, Sonia Syngal revealed that Kanye West is still hard at work, developing their anticipated Yeezy Gap collaboration.

Syngal spoke to Business of Fashion last Thursday and said, “I spoke to Yeezy last night and he’s very, very focused on this incredible opportunity.”

The official 10-year-deal between the Yeezy brand and Gap was announced back in June 2020. The deal involves the YEEZY studio designing a brand new clothing line of “elevated” basics for men, women and kids at “accessible” prices, but overall the partnership is meant to expose both brands to new audiences.

It’s a partnership come full circle for West as he used to work for a Gap store in Chicago when he was a teen.

The deal also comes at the perfect time for Gap Inc. as according to Sourcing Journal the brand plans to shut-down approximately 100 Gap and Banana Republic stores globally. This includes 75 in North America alone. However, West’s commitment to the collaboration has already created buzz for the 52-year-old brand and Gap anticipates a very strong start to 2021.

“The brand is back in a conversation at the zeitgeist of culture where it belongs,” said Syngal.

The official release of Yeezy Gap is set to release during the first half of 2021.

Nine albums that celebrate women

Today is international women’s day in celebration of women all over the world. To properly commemorate this day, I thought I would release a small article detailing a few of my favorite albums created by incredibly creative and genius women. In no particular order here are some of my favorites along with a small synopsis of each:

Fiona Apple: Fetch the Bolt Cutters Album Review | Pitchfork

Fetch the Bolt Cutters is the cutting edge of singer songwriter. It’s a complete rejection of traditional instrumentals opting for a harshly percussive track to contrast her throaty voice. It’s a very theatrical album each song often following a three act structure or in one case leading into one another. The album itself heavily examines Apple’s condition and personal life experiences. There’s no stone left unturned with Fetch the Bolt Cutters and that’s what’s so interesting about it. A lot of the time its hard to fathom the depths Apple had to go to reach these shattered memories. You’d think the general public doesn’t deserve to hear them but I’d say were very fortunate to say we can.

Solange's New Album, When I Get Home, Is Here | AnOther

Solange’s love letter to her hometown ended up being the best project of 2019. There’s far too many references to Houston to recount in one synopsis, but its fair to say Solange put a lot of care into each and every one of them. She had a hand in every avenue in this project even creating a short film to go along with it. She’s the definition of an everyman (or woman in this case) and this project perfectly exemplifies that.

This is a strange little project created by one of the most creative artists to ever walk this Earth. Each track plays out like a sucker punch, every one more unexpected than the last. However, Bjork still manages to tie each subject matter into the next so deftly you don’t mind the whiplash you get going through the album. Her voice soothes the deepest part of your cochlea, despite her unnatural cadence and inflection. Certainly an album you should listen to before you die.

Aaliyah – Age Ain't Nothing But A Number (1993, Vinyl) - Discogs

The debut album from the late singer Aaliyah influenced the future of R&B more than the media gives her credit for. While a lot of the meanings behind each track remain shady at best the record itself has inspired thousands of artists musically. Frank Ocean even made an official cover of “At Your Best (You Are Love)” on his album Endless. Aaliyah will be known as one of music’s greatest what ifs, plaguing the minds of thousands who wistfully lament a beautiful artists career cut far too short.

Faye Webster: Atlanta Millionaires Club Album Review | Pitchfork

Faye Webster’s third studio album manages to blend so many genres and concepts together its hard to draw the line between styles. As Pitchfork’s Anna Gaca said “Few R&B albums have a pedal steel; few alt-country albums have a rap feature. Faye Webster’s Atlanta Millionaires Club somehow has all of the above.” There’s a whole lot to love about this project and dare I say the cursed phrase “it has a little something for everyone.”

Lana Del Rey - Born to Die - Amazon.com Music

Lana Del Rey takes the tried and true form of female vocalization and makes it that much more interesting on this project. Despite it being her first official record there are many risks taken that set her apart from her contemporaries. Changes in her vocal performance, instrumentals that flip pop on its head, and lyrics exploring the fragility of the feminine form while simultaneously empowering it. What’s not to enjoy?

Kaleidoscope (Kelis album) - Wikipedia

Kaleidoscope is yet another endlessly influential record created by an under appreciated artist. Among the greats like Erykah Badu and Lauryn Hill, Kelis has created her very own spot in the R&B sphere. I genuinely don’t want to spoil anything more about the album so I would say just listen to it and appreciate it.

Lush | Snail Mail

Lush is the indie album by artist Snail Mail which has seen a meteoric rise in recent times. However, once you listen to it its very easy to understand why. Snail Mail has the perfect vocal range for her style of music and often provides the benchmark for how these albums should truly be done. Each guitar strum and drum beat is wonderfully curated by her soft woeful voice. For her first project its a wonderful indicator of things to come.

GARBAGE - Version 2.0: 20th Anniversary Edition - Amazon.com Music

Garbage is the band spearheaded by Shirley Manson who would become one of the most influential female voices experimenting on the already established grunge scene during the 90’s. Her distinct deep toned voice made her lyrics far more poignant and would compliment the bands synth-infused rock sound. This record completely capitalizes on that creating a deeply paranoid yet morbidly fascinating character behind Manson’s voice. She’s inspired plenty of voices heard today and will likely continue as time goes on.

Vice President and General Manager of Nike Ann Herbert resigns after news of ties to sneaker reselling

Who is Joe Hebert? Nike executive Ann Hebert resigns after son uses her  credit card to aid sneaker resale firm | MEAWW

Ann Herbert, the vice president and general manager of Nike’s North American division “departed” the company on Monday, according to an official statement from the sportswear brand.

Herbert had worked for the retail giant for over 25 years and had only been recently promoted to VP/GM last June.

The news came after a Bloomberg BusinessWeek article, published four days ago, confirmed Herbert’s connection to West Coast Streetwear, an online sneaker and street wear reselling store owned and operated by her 19-year-old son, Joe Herbert. According to the article, the younger Herbert had run $132,000 worth of limited sneakers on an American Express card, a card which was later revealed to have been in Ann Herbert’s name.

The article in question detailed the ever-profitable sneaker reselling market, heavily focusing on Joe’s company. The reseller provided profit margins in the hundred thousands. He would process thousands of transactions on any given day thanks to e-commerce websites like StockX which specialize in selling high-demand goods.

In the same article, Joe declined to speak on his sources of information but told Bloomberg Businessweek, “If you know the right people here, this is the city to sell shoes.” The city he’s referring to being Portland, where both Nike and Adidas have headquarters.

With that being said, Joe maintained his mothers involvement with the company had been “removed” from his reselling business and that he had not even received so much as information from her. It was also stated by a Nike spokesperson that they had received “relevant” information about West Coast Streetwear from Ann herself.

“There was no violation of company policy, privileged information or conflicts of interest, nor is there any commercial affiliation between WCS LLC and Nike, including the direct buying or selling of Nike products,” said the spokesperson.

Despite this Herbert decided to voluntarily resign her position at Nike and could not be immediately reached for any comment on the matter. West Coast Streetwear has also closed its website for the time being.

In Nike’s original statement they also announced their plans to announce a new head of their North American division shortly.

New York clothing brand Noah introduces a clothing recycling program

NOAH - Not Dead Yet - 1

Not Dead Yet is Noah’s solution to textile waste, its a clothing recycling program that offers their consumers the ability to send their used clothing back for a second chance at life.

“We don’t think of clothing as disposable, but sometimes you can outgrow or simply fall out of love with a garment. We’d like to offer you the option to bring or send used Noah items back to us,” said the New York-based brand in an Instagram post.

Old and used products can be either mailed or returned in person to their Soho location to l later be repurposed. Noah plans to wash and repair old garments to be resold or donate them to organizations like New York Cares to get clothes for people in need. Additionally, any clothing they deem unwearable will be recycled and turned into things like wiping rags or insolation.

Textile waste has been one of the rising issues due to fast fashion brands generating thousands of pieces every year to stay on trend. According to the Environmental Protection Agency (EPA), in 2018, 17 million tons of textile waste ended up in landfills making up 5.8 percent of the total municipal solid waste generation that year.

What Noah is offering is a alternative in order to slow the continued waste of textiles. “What we’re really excited about is finding ways to keep our clothes in use, rather than forgotten or thrown away,” said the brand.

The current store credit rates Noah is offering is as follows:

Outerwear/Jackets – $40

T-Shirts – $4

Tops & Shirts – $7

Sweatshirts & Sweaters -$15

Everything Else (Pants/Shoes) – $20

With that being said, not all products are eligible to the program. Bags, hats, beanies swimsuits, accessories or jewelry are not able to be returned. Additionally items must have a logo or composition tag intact in order to receive credit.

Ruby’s Diner closes two pier locations

Ruby's Diner at end of Huntington Beach Pier serves its last shake, but a  new eatery may take its place - Los Angeles Times

After an almost 30 year run Ruby’s Diner announced the permanent shut down of both their Huntington Beach and Oceanside locations on Friday.

In an Instagram post made by their official account they said, “We are deeply saddened to be closing our doors, but we are so thankful for all the wonderful memories that were shared over the years at the end of these two iconic piers.”

The post prompted some to ask whether other locations would meet the same fate, such as their location in Laguna Beach. Ruby’s Diner assured everyone in a secondary post to Instagram that their other locations would remain open.

“Many people have asked if we are shutting down all of our locations. This is not true at all. A lot of our locations across Orange County and beyond are still open and serving our famous burgers, shakes and fries,” the post said.

The diner continued to remain optimistic about the future promising their patrons they have “exciting” plans in the works.

Since the inception of the pandemic, thousands of restaurants across California have closed down. According to a survey conducted by the California Restaurant Association, 30 percent of restaurants say they will either close their restaurant permanently, or they will downsize by closing some locations.

With that being said, no official reason has been given for the closure of both establishments.